7 Actionable Steps to Raise In-Kind Donations for your Indiefilm.
Filmmaking is HARD. Making your first movie is even harder. You have to gather all of the stuff you need to make your movie, often working with funds that you’ve saved up yourself. Sometimes you’ll have some additional funds from your friends and family, an inheritance, crowdfunding or some other windfall, but even with any or all of those funding is likely to be tight.
5 Mistakes that cost filmmakers TENS or HUNDREDS of THOUSANDS of dollars
Everyone makers mistakes, the key is keeping them manageable and learning from them. Here are 5 mistakes that can cost filmmakers tens or even hundreds of thousands of dollars.
The Underlying Cause of Many Issues Facing The Indiefilm Industry.
There are many issues independent filmmakers complain about when it comes to the indie film business, many all stem from the film industry coping with he same problem, Uncertainty. This article expands on that to help creatives better adapt to it.
The 5 Pervasive Issues Preventing the Emergence of New US Film Hubs
If you want to succeed as an indie filmmaker, you need to have a network and a community. Trouble is the only major film communities in the US are New York, LA, and Atlanta. What’s stopping us from fixing that? This blog identifies problems we need to solve to expand beyond the coasts.
The 3 Main Independent Distribution Models
There’s more to the independent film distribution dilemma than just whether you self-distribute or get a distributor. Here’s another classification system for indiefilm distributors you should be aware of as a filmmaker.
Commercial Doesn’t NECESSARILY Mean Crap
In the film industry, we’re all ont he cutting edge of culture. Unfortunately, the contrarian tendencies of our artistic sides sometimes causes us to assume if it’s popular, it’s bad. That’s an oversimplification. Here’s why.
Why there’s more to vetting investors than Net Worth
If you want to find and close investors for your independent film project, there’s a lot more to it than simply googling a person’s net worth. Here’s an explanation.
3 Things Every New Film Investor NEEDS to know
It’s not just filmmakers who need to understand the business. Investors do too. Here are a few words of advice on the film industry for new investors from an executive producer.
The Basics of Financing your Independent Film with Tax Incentives
Making a profit on an indie film is HARD. If you can get your film subsidized by a tzx incentive your job is a lot easier. Here are the basics to get you started on that path.
How to Finance your Documentary
Documentary and narrative films aren’t just different styles, they’re entirely different beasts! It’s amazing how different the financing systems are. Learn more in this article.
What you CAN and CAN’T negotiate in an Indiefilm Distribution Deal
Negotiation is a skill, and it takes a while to understand it. Here are some things I’ve seen as an acquisitions agent for a US distributor, as well as from my time as a producer’s rep.
7 Things I Learned as CEO of a US Film Distributor
There’s a lot more to Distribution than Filmmakers think. Here are some things I learned at the helm of a US Distributor.
How COVID-19 Affected the Indie Film Industry
COVID-19 affected the entire world. To some degree, it still affects us all. Here’s 2023 update to some estimations I made in 2020 as to the effects of the pandemic on the industry.
Filmmakers Glossary of Film Investment Terminology
It’s hard to raise funding for a film, and the contracts get confusing quickly. Here’s a glossary to help you understand the mountain of paperwork you’ll need to sign to get your film financed. This blog doesn’t mean you don’t still need a lawyer (I’m not one, and this isn’t legal advice), but it will help you understand the paperwork you’re sent.
Filmmakers Glossary of Film Business Terminology.
I’m not a lawyer, but I know contracts can be dense, confusing, and full of highly specific terms of art. With that in mind, here’s a glossary of Art. Here’s a glossary to help you out.
How to Raise Development Funds for your Feature Film.
If you want to make a movie, you need to raise money. In order to raise any significant capital, you’ll need a package, and that cost money. Here’s where you raise the first money in.
What Screenplays are Studios ACTUALLY Buying?
If you’re a screenwriter, you’ve probably toyed with the idea of selling your script. Here’s some advice from a script doctor and a rebuttal from an executive producer.
18 Steps to GROW your Filmmaking from Shorts to Features
All distributors get asked if they do anything with shorts on a shockingly frequent basis. Unfortunately, most distributors don’t do anything with shorts, as there’s a very limited market for those who watch them. Here’s how you grow beyond them.
How and Why to treat your Production Company Like a Small Business.
If you want to make a living in film, it’s not enough to be creative. You also need to have a strong business sense. Here’s why that’s the case, and a guide to getting started.
The 4 Types of Media Entrepreneurship
If you want a career in independent film, you’re going to need to have some entrepreneurial skills. Here’s an outline for what that could look like.